"She couldn't come. She was afraid of her love for you."
Originally Aired
9/30/94
Larry's finally had enough of Daryl and Daryl. |
Surely inspired by the instances of people “going postal” in
the early 1990’s, this X-Files episode is a wonderful blend of thrills, humor,
and paranoia. It’s a big rebound for Morgan and Wong after their first episode
of this season called “Little Green Men.” Maybe the humor has to do with the
story coming from Glen Morgan’s brother Darin, though this week’s guest star
William Sanderson is deserving of a lot credit, too. He is spectacular as his
character succumbs to the subliminal messages that he’s tried to resist
throughout the episode.
I think this episode is full of a lot of
unintentional humor. It starts right away with Funsch’s boss calling him into
his office to fire him, but first he offers a glass of water as some form of
sympathy. “Here’s a glass of water, now get the hell out, you’re FIRED!” is
pretty much how that scene plays out. Funsch is allowed to finish off the work
week and that’s when he sees the first of many subliminal messages on a digital
screen at work. More of this humor follows as a lady is at the most dimly-lit
mechanic’s shop I’ve ever seen. The mechanic asks the lady to come closer so he
can explain all of the repairs he’s going to recommend, but I’m with that lady,
I wouldn’t go any closer either! From the sounds of it, she needs more than
just a simple repair as the guy says oil is leaking everywhere, it’s not
putting out an efficient amount of horsepower, engine mounts need replaced, and
on and on. Later is actually an intentionally humorous scene with the Lone Gun
Men and Frohike asks Mulder about Scully. I got a bigger kick out of Byers
playing old newsreel footage of the government spraying DDT, as if they just
have all of this essential footage Mulder needs that’s cued up and waiting for
his next visit.
Finally Funch snaps after seeing too many of
these messages that are commanding him too kill, though I don’t blame him for
getting mad at that frantic door-buzzing from that lady conducting cholesterol
tests. The scene where he snaps at the city bus driver is awesome, as he goes
from yelling to board the bus to commanding him to stop in a matter of seconds.
The finale takes place at a community college, which is also borrowed from a
real-life event. I’ve noticed other shows have had characters attempting to
pick off innocent bystanders with a shotgun from their perch in a clock tower,
from Buffy the Vampire Slayer to King of the Hill. One thing that did slightly
disappoint me was earlier in the episode when Mulder lists other killings
caused by digital read-outs, with one being at a gas station. That would be
cool to see, though maybe it’s too grim for television, as I imagined someone
being set on fire; I guess that’s better left to your imagination. After its
forty-five minutes have wrapped up, “Blood” is a fun gem that’s full of mad-cap
mayhem.
We both seem to be reviewing the under-appreciated this week. I get a huge kick out of this one, largely for its dry humor. I mean, Frohike actually says Scully is TASTY, what's not to love! Great review as always.
ReplyDeleteBut he does give perversion a bad name. heh.
DeleteI'd just like to add Ned Flanders to the list of other fictional characters to go 'postal' in a clock tower alongside Buffy the Vampire Slayer and King of the Hill.
ReplyDeleteI never realised it before, but there is a lot of dry humour in this one, amazing considering just how drenched in paranoia it is.
Watching the late-night car mechanic scene again, I completely agree - sometimes phobias are misplaced, but I am right there with this woman that the technician is acting super creepy ("Come stand over here. By me." ... Nooo thanks, creeper.).
ReplyDeleteThank you for pointing out all the unintentionally funny bits. I think Darin Morgan's stamp is certainly left on this one, and Morgan and Wong's dialogue is razor sharp as usual.